One of my favorite portraits. It’s hard to take a picture of someone’s personality, but I think I succeeded here. Before I had access to a real studio I used a racquetball court.
fine art projects of varying craziness.
One of my favorite portraits. It’s hard to take a picture of someone’s personality, but I think I succeeded here. Before I had access to a real studio I used a racquetball court.

This was meant just as a test of the lighting setup, using a polaroid back on my medium format camera. Sometimes now I tell people that I’m just testing the lighting to get them more relaxed and casual. Since digital has taken over everywhere, these little polaroid records of the shoot are now a part of history. Digital is beyond powerful now, but there is something tangible and special about the feel of something like this in your hands. Although I don’t miss paying $300 for a days worth of film and processing.
This particular type of B&W polaroid film came with a glaze that you put on the print when it was done, in order to fix the image. There was a natural bleaching, glossing, and duotone effect to this process, dependent on timing of application and age of the materials. I’ll feel a little sad when I come across a photography major who’s never been in a darkroom or felt something like this. Most schools still have a darkroom I think, but the time is coming up soon I’m afraid.

I did a series on the deck surfaces of an aircraft carrier. I’ll go more into that later, but I will say that almost 500,000 planes landed and took off from this aircraft carrier. This might be close to what they saw during their takeoffs on a warm hazy morning.

16×20 duotoned photographic print, drum scanned from a 4×5″ negative.